TLW Film Night, Wednesday 18th April 2018, 5.15pm

Film Night
Wednesday 18th April 2018, 5.15pm
Gilchrist Postgraduate Club, Glasgow University

Those of you who have attended our events in the past will know that we hand out feedback forms asking what you would like to see included in the series’ future events. One of the frequent suggestions that we get is for a film screening, and what with the overdue recognition that is currently being given to women’s role in the film industry, we have been inspired to arrange some film-related events. Not only can we confirm that our very first film screening will take place on Wednesday 18th April, but we also have a fantastic film-related talk in the pipeline after summer! Keep your eyes peeled on the blog and Twitter for updates on the talk.

So, what are we going to be screening on our very first film night? Well, we think that you should have a say in this, so to narrow things down a little we have collated a list of four films to choose from, and created a Twitter Poll. You can read a little about each film below, as well as why they are relevant in celebrating the achievements of women in film. Whether it’s one of your favourite films that you want to re-watch in good company, or if it’s a film that you have been meaning to see for ages, this is your chance . . . get voting!

Lost in Translation (2003)
Sofia Coppola has avoided living in the shadow of her acclaimed father, Francis Ford Coppola, by following her own creative path and paving the way for other female film-makers in the industry. She wrote, directed and produced this highly-acclaimed film which follows the friendship of an actor (Bill Murray) and a college graduate (Scarlett Johansson). Lost in Translation was nominated for numerous Academy Awards, with Coppola winning Best Original Screenplay, and Johansson taking the BAFTA for Best Actress in a Leading Role.

American Honey (2016)
Andrea Arnold is a British filmmaker who some of you may be familiar with through her film Red Road (2006), a Scottish film set in the Red Road high-rise flats in Glasgow. American Honey focuses on a very different world from this, following runaway youth, Star (Sasha Lane), on her journey around the Midwest of America. The film won both the Jury Prize at the Cannes Film Festival, and Best British Film at the BAFTA awards.

Sound of My Voice (2011)
Brit Marling co-wrote, co-produced, and starred in this psychological indie thriller about documentary-makers who go undercover in a Los Angeles cult. Marling has been making her mark on film and television over the last few years with films like Another Earth (2011), The East (2013) and the Netflix series The OA. She has spoken out about what made her start writing roles for women rather conforming to the roles being ascribed in a male-dominated industry. You can read more about this in her response to the Weinstein scandal here.

Morvern Callar (2002)
You may have seen British film-maker Lynne Ramsay’s latest film, You Were Never Really Here (2017), in the cinema right now. Ramsay co-wrote and directed Morvern Callar, and this choice has a bit of a literary theme to it. It was adapted from a book of the same name, and also follows Morvern (Samantha Morton) as she masquerades as the author of an unpublished novel which her boyfriend has left behind before committing suicide. Morton won the BIF award for Best Actress, and the film won the Award of the Youth at Cannes.

All these films are from female filmmakers which have been given award recognition, we hope you like what we have chosen and look forward to seeing which film you pick. The poll closes in a week, so get your votes in while you can! The film night will take place at Gilchrist Postgraduate Club, plus it’s free and open to all (student and public). We will have some snacks and refreshments, and you can also purchase food and alcoholic drinks from the Gilchrist café.

Head over for 5.15pm to join us for a relaxed and welcoming night appreciating women’s achievements in the world of film-making!

Kari and the TLW team.


Transatlantic Literary Women: Series 2 Launch

The launch night will be on Tuesday 19 September, from 5.15 – 7pm, at Rooms 202 and 203, 4 University Gardens.

As promised, we’re on our way back! We’ve been busy prepping events for the second season of the Transatlantic Literary Women series and very much hope you’ll join us.

In 2016/17 we held a total of eleven events, from bookclubs to talks, workshops, creative writing events and our summer symposium with speakers from both sides of the Atlantic. We teamed up with organisations across Glasgow, including the fabulous Scottish Writers’ Centre, Northlight Heritage and Glasgow Women’s Library. We even headed into the trenches for our Transatlantic Women and War Day at Pollok Park! Many thanks again to those who supported the first season. Details of our events are available on this website and via our Twitter account @atlantlitwomen, where you can also listen to podcasts of symposium talks, recorded by the brilliant Jamie Loggie and Mark Cunningham.

We’re all back (Laura, Marine, Louisa and Saskia), along with two new members of the team: Kari Sund and Sarah Thomson. Welcome! Read about Sarah and Kari here and here.

Here are the details for our first event:

TLW Season Two Launch and Talk. Tuesday 19 September 5-15-7. Rooms 202 and 203, 4 University Gardens.

Join us for this friendly, social event: our season two launch AND a great talk! Wine, soft drinks and snacks available, plus thirty free copies of our bookclub choice, Sylvia Plath’s The Bell Jar to give away. And if this isn’t enough, we’re delighted to be welcoming Latinx expert Dr Eilidh Hall to give a talk ‘Spanglish as Resistance: Undoing Transatlantic Colonialism.’ We look forward to seeing you!

‘Spanglish as Resistance: Undoing Transatlantic Colonialism’ with Dr Eilidh A B Hall.

For many people in Latinx communities in the US, bi- or multilingualism is a part of everyday life. Simply put, Spanglish is a dynamic form of language made up of a conglomeration of Spanish and English dialects. And yet, to some, this is a threat to an ‘American’ culture that historically, and to this day, denies diversity and cultural complexity. This talk explores how, in an environment of intense hostility against people of Latinx heritage, Spanglish is used by activist women writers to resist the colonial erasure of their rich and diverse cultures.

Eilidh is a researcher interested in Latinx literatures and cultures. Her work focuses on Chicanx (Mexican American heritage) writings and the ways in which women negotiate their feminisms in patriarchal institutions. She is also co-jefa of The SALSA Collective, an online community for people interested in latinidades across the Americas.

Sandra Cisneros, writer and artist
Ana Castillo, a Mexican-American Chicana writer

For the diaries, our next two events are an Edith Wharton workshop on Wednesday 4 October 2-5pm, and our bookclub is on Tuesday 17 October at 5pm in the Gilchrist postgraduate club (entry open to all). Join us for an evening discussing Sylvia Plath’s The Bell Jar.

We’re looking forward to seeing you!

Kari joins the TLW team

Hello! I went along to quite a few of the Transatlantic Literary Women events last year so some of you may already know me. For those who don’t, I’m looking forward to meeting you soon! As an introduction, I thought I would provide a little background on myself and my interests, pinpoint some personal highlights of the series so far, and touch on a few of the topics that I would like to explore in the 2017/18 series.

Like my fellow newcomer Sarah, I’m an Americanist! My joining the TLW committee also coincides with beginning a PhD in American Studies at the University of Glasgow, where I will be researching the Hollywood novel genre. My interest in American literature began during an undergraduate module in 20th century literature, and the often-contradictory depiction of America in the texts prescribed left me intrigued. Works like John Dos Passos’ USA and E.L. Doctorow’s Ragtime evoked a country relentlessly expanding and advancing, while works like Toni Morrison’s Beloved portrayed a country constantly struggling to come to terms with the past. Having ignited my passion for American literature, I went on to complete an MSc in US Literature at the University of Edinburgh, where I specialised in F. Scott Fitzgerald.

Attending the TLW series last year was a fantastic experience. It’s difficult to choose a favourite event from such a varied programme. The series of talks given by visiting lecturers were all thoroughly enjoyable, and I particularly enjoyed Dr. Heidi Yeandle’s “Angela Carter’s Female America: Apocalyptic and Artificial.” Though I knew very little about Carter, I found Yeandle’s paper really engaging, and it inspired me to start reading Carter’s work. And, of course, the Symposium at Glasgow Women’s Library was a wonderful way to end the year, on a high note and with a full house! The highlight for me, though, was probably the day-trip to visit Digging In’s reconstruction of the WWI trenches for Transatlantic Women in the Trenches. Women’s war effort during WWI is always an excellent topic for discussion, and Pollok Park happens to be one of the best reading spots in the city, so I was delighted that the series incorporated such a beautiful location into the programme.

Being obsessed with all things Hollywood novel, it’s not surprising that I’m keen to explore the connections between Hollywood writing, the film industry, and transatlantic literary women. This is an incredibly transatlantic topic: the impact that film had on Europe and the rest of the world from the early twentieth-century onwards was immeasurable. Film created a new way of communicating different cultures and behaviours across the Atlantic, a new lens through which people were viewing the world. Even if this view wasn’t always realistic, the power of the movies was very real. As with many genres of literature, however, research on the Hollywood novel has a habit of focusing largely on male contributions. What more fitting a place to explore women’s contribution to Hollywood writing than the TLW series?

I think I’ve rambled on for long enough, so I’ll wrap it up now. Needless to say, I’m ecstatic to be part of the team this year, and looking forward to seeing old and new faces at the events that we have lined up. Watch this space for more information!


Sarah joins the TLW Team

The TLW Team is thrilled to be welcoming two new members, Sarah Thomson and Kari Sund, for the 2017/2018 series. For their first post, we’ve asked each of them to write a short blog introducing themselves. First up is Sarah:

Hi everyone!

I’m Sarah, and I’m delighted to be one of the two new members of the Transatlantic Literary Women’s committee for 2017/2018. For my debut on the blog, I’m going to share a little bit about myself, how I got involved with TLW, and what I’m hoping to see in the series this year.

I’ll be starting an MLitt in American Studies at the University of Glasgow in September, having just finished my undergrad at the University of Edinburgh. But, it was my year abroad at the University of Virginia that cemented my enthusiasm for all things American. While one year in the US perhaps isn’t quite long enough for me to call myself a transatlantic woman, it was certainly enough time for me to develop an overwhelming love for Charlottesville’s sunny weather, gorgeous scenery, and ‘school spirit’ (go Hoos!).

The first TLW event I attended was the popular Transatlantic Modernisms Workshop. Although I’d taken a class on transatlantic modernism before, the course featured just one female author (Virginia Woolf, predictably!). So, TLW’s workshop felt like a golden opportunity to learn about some of the understudied and overlooked women writers of the period. The series finale, the Transatlantic Symposium, was another great chance to learn some new names and pick up some reading recommendations. I was also delighted to get to take part in the final workshop of the day, making the case for my favourite transatlantic lady: Nella Larsen. Podcasts from the symposium are currently in the pipeline, so keep an eye out for those!

Despite spending most of my time studying history rather than literature, I’m hoping that being the team’s ‘resident historian’ will have its uses (if for nothing other than to provide some fun historical facts to complement whatever we’re reading!). I have a lot still to learn when it comes to American literature, but the TLW series is a great environment for exploring all things ‘transatlantic’, so I’m looking forward to it. I studied African American literature for the first time during my final semester at Edinburgh, so I’ll definitely be championing some of the women whose work I read on that course! And, with the centenary of (partial) women’s suffrage in 2018, I’m excited to see how that’ll feature in next year’s programme.

Having enjoyed the events I attended last semester I’m thrilled that this season I’ll be getting involved with the planning and organising side of things. Without giving too much away, it looks like another great line up of events, and I can’t wait to see everyone in September!


Transatlantic Reading List

The Transatlantic Literary Women symposium left us with a huge list of summer reads, so to tide you over the summer break we’ve compiled a handy book list full of transatlantic women writers!

First up was Melanie Dawson’s talk on Age-Conscious Modernity. Melanie examined changing and conflicted attitudes towards the experience of age and ageing. Edith Wharton’s Summer is a fantastic exploration of the power dynamics in relationships between young women and older men, and Zora Neale Hurston dignifies the experience of ageing in Their Eyes Were Watching God.

Next, Gary Totten presented ‘Transatlantic African American Women Writers and Racial Justice in the Age of Jim Crow’. If you’re interested in African American female travel writing, Crusade for Justice: The Autobiography of Ida B. Wells and Jessie Redmon Fauset’s columns in The Crisis are must reads. Both writers politicised their form in order to present a social critique of the violence and social limitations of the Jim Crow era, though in very different ways.

After lunch, Tracy Brain presented ‘Plath and You’. As well as more famous novels such as The Bell Jar, Tracy reminded us of Sylvia Plath’s (often overlooked) poetry. You can find a selection of her poetry here.


Later in the afternoon, Claire Heuchan led a workshop on the connections between UK and US Black feminist writing. She touched on Jackie Kay’s Red Dust Road, Claudia Rankine’s Citizen, Audre Lorde’s Sister Outrider, and the Bare Lit Anthology. Plenty to get your teeth into!

And finally – YOUR transatlantic literary women! This was where we gave participants in the symposium an opportunity to make a case for their favourite transatlantic women writers. Zelda Fitzgerald’s Save Me the Waltz and Nella Larsen’s Passing were both championed, as was work by Leonora Carrington, Clarice Lispector, and the Galician poet Rosalia de Castro.

Whether you attended the symposium, or you’re just looking for something to read, there should be plenty here to get you started. If you have any other suggestions, feel free to share them with us! Happy reading!

By Louisa Burden.